Gothic literature has elements that set it apart: the setting should take place near some sort of castle. In modern gothic stories the castles are transformed into large, old houses or mansions. The setting should also seem gloomy: rain, storms, etc. The tone and the felling of the story should be mysterious—resulting in suspense and fear. The setting of the story can also be based on or about an ancient prophecy. This gives the story more mystery, influencing readers to ask as to why this legend exists.
There can also be a character that sees prophecies or has omens
that hint at what might happen. For example, in Sherlock Holmes, ravens are
omens for a future death. Supernatural events are a must: having events that
cannot be explained gives the story a more frightening setting. Supernatural
beings—ghosts, ghouls, monsters—are so unusual, it easily frightens readers. Emotions
are abundant in the characters to the point that it may overwhelm readers:
overwhelming emotions influences readers to feel similar emotions, engulfing
themselves in the characters plight. The vocabulary should also be complex
enough to pin point a specific emotion, feeling, and image.
Poe did this and more . . . Poe used psychological thought
processes as part of his stories. Characters usually think about their
surroundings and themselves. One character may seem insane, while others seem confused.
Readers begin to think about the possible motives and reasons for events and actions
connected to a single person. This not only frightens readers because of the
images but also scares them at the psychological level. Readers’ thinking and
analysis of the stories frighten them because there is no clear answer to any
question that arises from reading Edgar Allen Poe’s short stories and poems.
Poe’s stories also do not end with a satisfactory, happy
ending—rather the end is usually gruesome, unnerving, surprising and never
seems to give the reader closure. Poe wants to veer away from ideals of
transcendentalism: his characters are usually evil and never innately good. The
setting—castles, storms, dark nights—the intense expression of emotions—anger,
madness, sorrow—and the overpowering, psychological characters—murderers, desperate
victims—all make up the deadly and horrifying stories written by Edgar Allen
Poe.
Vanessa and Ivan
Vanessa and Ivan
Poe is one of my favorite authors and you've done a good job representing his influence in literature. I especially liked the brief tie in with Sherlock Holmes. I even think you could do more of a draw between the two, as Holmes is very much the light sided version of many of Poe's protagonists. A character with an inhuman level of perception.
ReplyDeleteI would have also liked some more on the psychological aspects that Poe plays with in his works. Obviously the blog post only needs to be so long, but if it were longer, it would be nice to hear your thoughts on what Poe considered to be the nature of madness. In a time where insanity was even more taboo than today, Poe writes on the subject often, and what drove him to do this would be interesting to speculate on.
Very good post!
It is interesting that you bring up the psychological aspects of Poe because that is what I find so intriguing about him. He really set the bar high for many authors and screenplay writers after him because it seems like he is the father of mystery and psychological fright. Do you think that Poe going for a more psychological approach gives him his brilliance or is it the supernatural events that occur?
ReplyDeleteMost times in a movie or a story it is the "monster" or supernatural being that frightens people the most but do people get more frightful when there minds have been tainted with?
I think you did a fantastic job at describing Gothic literature because it seems that people have a skewed view on what that actually is. The aspect of the reader asking "why" is a huge part in Gothic literature as well since many readers will continue to read until they get their questions answered.
Nice Job!
(Brittany,Amanda,Annie,and Tenika)
I agree; you've covered a lot of good material in this post. Your idea that Poe's endings are never happy is intriguing: does it differ from other gothic literature in this respect?
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